{"id":81,"date":"2013-12-23T22:23:12","date_gmt":"2013-12-23T22:23:12","guid":{"rendered":"http:\/\/institutocatitu.org.br\/en\/?page_id=81"},"modified":"2015-05-14T19:43:28","modified_gmt":"2015-05-14T19:43:28","slug":"producoes","status":"publish","type":"page","link":"http:\/\/institutocatitu.org.br\/en\/producoes\/","title":{"rendered":"Productions"},"content":{"rendered":"

[et_pb_section fullwidth=”off” background_color=”#000000″ inner_shadow=”off” parallax=”off”][et_pb_row][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”left”]<\/p>\n

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<\/iframe><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”right”]<\/p>\n<a href=\"https:\/\/vimeo.com\/channels\/institutocatituespanol\/127611612\" target=\"_blank\">\u00a0<\/span>HUNI KU\u0128 CHILDREN’S MANUAL<\/span><\/a><\/p>\nChildren of the Huni Kui people living in Rio Humaita Kaxinaw\u00e1 Indigenous Land, in the State of Acre, show what life is like in the village: jokes, fishing, party, stories… The nine short videos are part of the Weaving Knowledge project sponsored by Petrobras Cultural Program.<\/p>\nDirector: \u00a0 Mari Corr\u00eaa<\/p>\nVersions: \u00a0Portuguese and Spanish<\/p>\n <\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”left”]<\/p>\n<a title=\"Forma\u00e7\u00e3o Mulheres Ind\u00edgenas - 2012\" href=\"https:\/\/vimeo.com\/67908608\" target=\"_blank\">AUDIOVISUAL TRAINING OF INDIGENOUS WOMEN<\/a><\/span><\/p>\nInstituto Catitu proposes to capacitate indigenous women of the Brazilian Amazon in the use of contemporary cultural production tools like video and photography, to bring attention to the female knowledges and the strengthening of their roles. \u00a0The project is new initiative in Brazil as a whole that answers to a demand of indigenous women for a creative form of expressing their ideas and knowledges.<\/p>\nDirectors: \u00a0Mari Corr\u00eaa and Raquel Diniz<\/p>\nDuration: \u00a017 minutes<\/p>\nVersions: \u00a0Portuguese and English<\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left”]<\/p>\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/69270487?color=ffffff&title=0&byline=0&portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”left”]<\/p>\n<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/73794516?color=ffffff&title=0&byline=0&portrait=0\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”right”]<\/p>\n<a title=\"Pirinop - Meu Primeiro Contato 2\" href=\"https:\/\/vimeo.com\/73794489\" target=\"_blank\">PIRINOP \u2013 MY FIRST CONTACT<\/a><\/span><\/p>\nIn 1964, Ikpeng Indians have their first contact with white men in a region close to the Xingu area, in Mato Grosso State. \u00a0The film recounts this meeting, or what remains of it: \u00a0the memories, exile, the abandoned land, the desire and struggle for return.<\/p>\nDirectors: \u00a0Mari Corr\u00eaa and Karan\u00e9 Ikpeng<\/p>\nDuration: \u00a083 minutes<\/p>\nVersions: Portuguese, English, Spanish and French<\/p>\n <\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”left”]<\/p>\n<a title=\"Not\u00edcias dos Brabos - Projeto Document\u00e1rio de Nilson Tuwe\" href=\"https:\/\/vimeo.com\/62368533\" target=\"_blank\">NEWS FROM THE WILD ONES \u2013 DOCUMENTARY PROJECT OF NILSON TUWE<\/a><\/span><\/p>\nSome indigenous peoples live voluntarily isolated at the frontier between Brazil and Peru, in the State of Acre, Brazil. The advances of logging exploitation, mining, petroleum prospecting and drug trafficking are obliging them to relocate themselves to Brazil to seek refuge. \u00a0\u201cNews from the Wild Ones\u201d is a documentary film project of indigenous filmmaker Nilson Tuwe, who lives in the Kaxinawa Indigenous Land of Humaita River, where there is the presence of one of these isolated groups. \u00a0His sensible approach has been able to problematize and transmit the indigenous view on their \u201cwild kin.\u201d<\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”left”]<iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/62368533?title=0&byline=0&portrait=0&color=f9cd30\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left”]<iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/84886200?title=0&byline=0&portrait=0&color=f9cd30\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”right”]<\/p>\n<a title=\"A hist\u00f3ria da Cutia e do Macaco\" href=\"https:\/\/vimeo.com\/84886200\" target=\"_blank\">THE STORY OF THE AGOUTI AND THE MONKEY<\/a><\/span><\/p>\nThe film is based on a traditional story of the Kawaiwet\u00e9 people. \u00a0This short film was made from the material shot during the second edition of the Training Workshops of Indigenous Women, carried out in June 2009 at the Kwaruj\u00e1 village, in the Xingu Indigenous Park, in Mato Grosso State.<\/p>\nDirector: \u00a0Wisio Kayabi<\/p>\nDuration: 12 minutes<\/p>\nVersion: Portuguese<\/p>\n <\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”left”]<\/p>\n<a title=\"Clip Wotko e Kokotxi - Uma Hist\u00f3ria Tapayuna\" href=\"https:\/\/vimeo.com\/73648242\" target=\"_blank\">WOTKO AND KOKOTXI, A TAPAYUNA STORY<\/a><\/span><\/p>\n\u201cThe white man killed the tapir and deer and brought them to us. \u00a0My friends said: \u2018Is this food good to eat?\u2019 \u00a0The white man had poisoned the food. \u00a0I didn’t eat, and escaped because of that.\u201d \u00a0In the documentary directed by Kamikia Kis\u00eadj\u00ea the memory and resurgence of the tragic contact between the Tapayuna people with the surrounding society springs up with the accounts of survivors Wotko and Kokotxi.<\/p>\nDirector: \u00a0Kamikia Kis\u00eadj\u00ea<\/p>\nDuration: \u00a050 minutes<\/p>\nVersions: \u00a0Portuguese, English and Spanish<\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left”]<iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/73648242?title=0&byline=0&portrait=0&color=f9cd30\" width=\"500\" height=\"367\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left”]<iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/74844469?title=0&byline=0&portrait=0&color=f9cd30\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”right”]<\/p>\n<a title=\"Clip Gravando Som 3\" href=\"https:\/\/vimeo.com\/74844469\" target=\"_blank\">RECORDING SOUND \u2013 TXIMINA YUKUNANG<\/a> \n<\/span><\/p>\nThe Ikpeng decided to record in a CD the songs of the Yumpuno, one of the most important moments of the great Moyngo ritual, in which the boys have their faces tattooed with thorns of the tucum palm tree and charcoal extracted from the jatob\u00e1 tree resin. \u00a0Three generations talk about the experience of going through the Ikpeng initiation ritual, when they let go of childhood to enter adult life.<\/p>\nDirectors: \u00a0Karan\u00e9 Ikpeng, Kamatxi Ikpeng and Mari Corr\u00eaa<\/p>\nDuration: \u00a052 minutes<\/p>\nVersions: \u00a0Portuguese, English and Spanish<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”left”]<\/p>\n<a title=\"Clip Ca\u00e7ando Capivara 1 - Kuxakuk Xak\" href=\"https:\/\/vimeo.com\/71918856\" target=\"_blank\">HUNTING FOR CAPYBARA \u2013 KUXAKUK XAK<\/a><\/span><\/p>\nTraditional inhabitants of the Atlantic Forest, between the coast of Bahia and Minas Gerais, today the Maxakali practice their ways of life and their aesthestics in a space made desert by miners and farmers that in three centuries invaded their lands. \u00a0In four tries the hunters head out with their dogs and spirit friends in search of the capybara, one of the only remaining game animals of the region. \u00a0But these movements are not a food search in a devastated territory. \u00a0Or not only: \u00a0they start and end at the song house, where what is at stake reverberates when one finds and kills those humans that became beings of another species. \u00a0Movement and songs that reveal to the camera the density of the gaze, the intensity of encounters and the effervescence of events that are agitated under the apparent silence and quietude.<\/p>\nDirector: \u00a0Maxakali Collective<\/p>\nDuration: \u00a057 minutes<\/p>\nVersions: \u00a0Portuguese, English and Spanish<\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left”]<iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/71918856?title=0&byline=0&portrait=0&color=f9cd30\" width=\"500\" height=\"367\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”light” text_orientation=”left”]<iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/71899299?title=0&byline=0&portrait=0&color=f9cd30\" width=\"500\" height=\"367\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”right”]<\/p>\n<a title=\"Clip Acordar do Dia - \u00c3y\u00f5k M\u00f5ka \u00f2k H\u00e3mtup\" href=\"https:\/\/vimeo.com\/71899299\" target=\"_blank\">RISING DAY – <\/a><a href=\"http:\/\/h\u00e3mtup\">\u00c3Y\u00d5K M\u00d5KA \u00d2K H\u00c3MTUP<\/a><\/span><\/p>\nAt the village\u2019s morning, a brume encircles and undoes the concrete limits of the body, positions, ages. \u00a0To it added the smoke of house fires and the smell of strained coffee. \u00a0Those that are around, wait, coexist slowly, with the certainty that they are owners in their own house. \u00a0In the truck, the city, the fair, we are invaded by cuts: \u00a0fences, bags, coins, rough moves, harsh words. \u00a0All of these accuse a larger and first cut, the tikm_n transpassed the frontier, they are un a world of object masters, in a civilization where each thing has its place. \u00a0Their presence questions us.<\/p>\nDirector: \u00a0Maxakali Collective<\/p>\nDuration: \u00a034 minutes<\/p>\nVersions: \u00a0Portuguese, English and Spanish<\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"[et_pb_section fullwidth=”off” background_color=”#000000″ inner_shadow=”off” parallax=”off”][et_pb_row][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”left”]   [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″][et_pb_text admin_label=”Text” background_layout=”dark” text_orientation=”right”] \u00a0HUNI KU\u0128 CHILDREN’S MANUAL Children of the Huni Kui people living in Rio Humaita Kaxinaw\u00e1 Indigenous Land, in the State of Acre, show what life is like in the village: jokes, fishing, party, stories… The nine short videos are part […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-81","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/institutocatitu.org.br\/en\/wp-json\/wp\/v2\/pages\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/institutocatitu.org.br\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/institutocatitu.org.br\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/institutocatitu.org.br\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/institutocatitu.org.br\/en\/wp-json\/wp\/v2\/comments?post=81"}],"version-history":[{"count":73,"href":"http:\/\/institutocatitu.org.br\/en\/wp-json\/wp\/v2\/pages\/81\/revisions"}],"predecessor-version":[{"id":673,"href":"http:\/\/institutocatitu.org.br\/en\/wp-json\/wp\/v2\/pages\/81\/revisions\/673"}],"wp:attachment":[{"href":"http:\/\/institutocatitu.org.br\/en\/wp-json\/wp\/v2\/media?parent=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}